Summer 1987: Los Lobos Blow Up with LA BAMBA

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Wednesday, May 5, 2021
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LA BAMBA

Back in the early 1980s, Los Lobos was an emerging act rocking out of East Los Angeles, riding on the critical accolades of the band's 1984 major label debut, How Will the Wolf Survive? "By then we had picked up a little speed," Louie Perez of Los Lobos told Songfacts. "We had a couple of critically acclaimed records, and we had a couple songs that were played on the radio, but no big hit."

The group's steady trajectory skyrocketed, however, as a result of their participation in the soundtrack for big-screen blockbuster, La Bamba. Los Lobos covered six of late rock legend Ritchie Valens' biggest hits, including the title track, at the personal request of Valens' mother and sisters. Their version of "La Bamba" raced up the Hot 100, peaking at #1 for the week of August 29, 1987. It held the top spot for three weeks, replaced on September 18 by Michael Jackson and Siedah Garrett's "I Just Can't Stop Loving You."

"When it became a hit, it was like, 'Wow, what happened there?'" Perez recalled. "We had just finished our own record, and that one came out in like May. And then La Bamba was released about a month and a half later and that thing just went crazy - no one expected that. So for us, it was doing it for (the Valens family) and for the legacy of this young Chicano kid who really pioneered. I mean, how bold was it back then in 1959 to take a Mexican song and make it into a rock tune, rock arrangement, and sing it in Spanish? That was pretty damn brave."

The complete La Bamba soundtrack was also a chart topper, hitting #1 on the Billboard 200 for the week of September 12, 1987. Featuring artists including Marshall Crenshaw, Bo Diddley and  Brian Setzer, the soundtrack held the top spot for three weeks in a row.

When it came time for Los Lobos to follow the La Bamba phenomenon, the group was ready to re-establish its collective identity: "We had been a band since 1973, and here it is 1987, and at that point, how we redirected the frustration (of the act's first big record being a cover) was to do something that was completely different," Perez admitted about the band's reaction to the sudden success with Valens' music.

"Different than would be expected of a band who just had a huge hit. We didn't want to chase that hit, come up with 'La Bamba #2,'" Perez continued. "So we put out a record of traditional Mexican music with a couple of original songs on it that we wrote (La Pistola y El Corazon), something we'd always wanted to do. I remember after that record was released, journalists from all over were writing how Los Lobos committed commercial suicide, and I think to some degree it was true; we threw this wrench in this machine and brought it back to what we were all about." La Pistola y El Corazon went on to win the Grammy in 1989 for Best Mexican-American Performance.

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